Transcript text (AI)
Hello, I'm Mark Wohlrabe. I was born in 1972 in West-Berlin. I think this is relevant for my own story with the city.
I was 17 when I was in the Mauerfall and took everything with me, what this city had helped me.
To this place belongs to a very beautiful place with many memories.
I founded 1994 a city magazine, a night magazine. It was called Flyer.
The years ago I was one of the people in the party scene, who, I believe, very well knew what happened here in the city.
I collected no end Flyer.
Then came at a certain point the idea of a magazine to make.
And that we had two weeks to make.
That was quite a bit of work.
So every two weeks a magazine to make.
But it was related to the speed of the city, which the city and the city had presented.
And that I did until 2003.
And we started in Berlin.
We started in many German cities.
And then also internationally.
Like in New York and Los Angeles.
But the main city was always here, Berlin.
And my own story is also very close to the club culture of Berlin and the development.
We got very precise with the locations that came and went.
And at the end of the 90s or the second half of the 90s.
It was always obvious that there were very good locations,
very good-fueled locations.
Not just any kind of crudely.
Those who also had their charme.
But really people who had money, who had money, who had a hard time.
They had a good booking.
And also this place.
That they had more and more lost.
And paradoxically, the city started to work with this new Berlin, this young Berlin,
this exciting Berlin to work.
So that for example, big companies like Universal Records started to put their seats here.
That you could already feel at the end of the 90s.
And that didn't fit together.
And from this point, we founded one of the world's first lobbyists for the nightlife
and club culture.
It was then the Berlin Club Commission.
To have an intermediary, an interview partner for the politics and the government.
Because we got from the politics, which was actually closed on,
clear that the signal was not all alone could come.
And even such a super club like the E-Werk,
that couldn't prevent its closing.
Although it was, as I found, so important for Berlin
and played international a role in Berlin.
So it was clear that people came from other continents.
And that thing was just closed.
And that was created by the Club Commission.
And this work I do now.
I work for a long time in the government.
That's the LIVECOM.
I work for cultural space.
That's the meaning of my main topic.
My main topic are space, city,災, and substances.
That's my expertise.
Super.
Thank you.
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Thank you.
Content description (AI-based)
The image features a man standing in front of a dark-colored door. He is wearing a black jacket over a white shirt and has a mustache. His hair is tied back, and he is looking upwards. The setting appears to be urban, with the door suggesting an industrial or modern architectural style. The man's expression and posture might indicate he is engaged in thought or observing something above him. This image could be useful for cultural researchers studying urban fashion, architectural styles, or expressions and gestures in photography.
